Philatelic solo usages of 14¢ American Indian stamp
As I continue to work my way through writing up a backlog of 14¢ American Indian covers that I had acquired over the past two or three years, I’ve added two new articles to my online exhibit 14 Cents: the American Indian Stamp. Both are examples of solo usages of the stamp, but both are also very much philatelic in nature.
14¢ American Indian cover with Oklahoma Silver Jubilee cachet14¢ American Indian cover with Lewis & Clark Expedition/Sacagawea cachet
In today’s world, the use of the 14¢ American Indian stamp with its picture of Hollow Horn Bear, a Brule Sioux, on covers having absolutely no connection to his tribe might be frowned upon. In the 1930s, however, the stamp seems to have been a popular choice for paying postage on any cover even remotely connected to Native Americans, probably because of the generic “American Indian” caption beneath Hollow Horn Bear’s portrait.
Writing up 14¢ American Indian stamps & covers once again
As I mentioned in a prior blog post, I recently discovered tucked away in my binder of 14¢ American Indian stamps no fewer than eight covers and parcel fragments that I had acquired over the past two or three years but never gotten around to researching. I filed those away, and at long last, I’ve finally begun writing up that material for my online exhibit, 14 Cents: the American Indian Stamp.
The first two items that I’ve added are parcel fragments addressed to the Navy Department’s Bureau of Navigation. One was mailed from on board the USS Marblehead; the other, from the USS Maryland.
14¢ American Indian parcel fragment mailed from USS Marblehead14¢ American Indian parcel fragment mailed from USS Maryland
In both cases, the 14¢ American Indian stamp appears to have paid the majority of the 15¢ registration fee, which was not part of the “free” mailing privileges indicated by the handstamped or typewritten penalty statements.
I presume both packages would have contained navigational records or research of some sort, but if you have specifics on what might have been enclosed, I would certainly like to know more!
SAPA cancels weekly meetings through end of August
There will continue to be no local stamp club meetings through at least the end of August for members of the San Antonio Philatelic Association.
According to an email distributed by SAPA Treasurer Fred Groth on Friday, the church at which the club holds its Friday evening meetings has elected not to reopen its facilities until there is a positive turn in COVID-19 numbers, which seems unlikely to occur in the immediate future as San Antonio city officials have been reporting hundreds of newly confirmed cases each day.
While I find this disappointing on a personal level since summer is really the only time of year that I’m able to attend, the club’s membership is comprised predominantly of individuals in age groups that seem to be hit hardest if they catch the disease, so the church’s decision may be for the best. Hopefully things like stamp club meetings will get back to normal sooner rather than later!
Philosateleian Post American flamingo FDC arrives in mail
I’m not sure just how it happened, but I’ve somehow gone nearly two weeks without posting anything here. Happily, the Philosateleian Post American flamingo first day cover that I mailed to myself just yesterday was delivered to my post office box this morning, so I can share a scan!
Philosateleian Post American Flamingo FDC
As you can see, something took a chunk out of the bottom edge of the envelope as it went through the mail processing equipment, and the surface of my flamingo stamp got scraped up as well. Still, I’ve seen pieces of mail battered far worse than this, so I can’t complain too much.
I recently received New Hampshire-based Purgatory Post’s newest local post stamp in the mail, and wanted to share a scan of it here for any rock and roll fans in the audience.
Purgatory Post 22-sola Little Richard stamp
The 22-sola stamp picturing Little Richard, or Richard Penniman (1932–2020), was issued on June, and Purgatory Post operator Scott Abbot tells me that the design is based on a 1956 concert poster.
Little Richard’s heyday was long before my time, and although I was aware of him and some of his songs, I didn’t realize just how big an influence on the rock and roll world he was or how big an act he was until after his death last month. I mean, The Beatles opened for Little Richard during a 1962 concert tour! Impressive stuff.
